Melodic Revolution Radio is proud to welcome Ember Swift, Soul Doubt, and The Mourning, and are thrilled to add their latest releases to our playlist.
Sticks & Stones, the 12th and most recent album in Ember Swift’s discography, is a collection of eclectic songs that fall into three categories: “Songs for Adults” (8 songs); Songs for Kids (5 songs); and the humorous and under-serviced category “Songs for Adults with Kids” (3 songs). Styles range from folk to jazz to R&B to country. There’s electronic and calypso and rock in there too. As usual with Ember Swift’s music, this album is a diverse range of styles taking the listener on a colorful musical journey.
Canadian artist Ember Swift is an internationally touring musician, songwriter, and founder of the independent label Few’ll Ignite Sound. Originally from Toronto, she has spent the past few years making her home in the magnetic city of Beijing, China. In other words, this is where she lands in between touring Canada, the US, Australia, New Caledonia (French island in the Pacific) and, China.
Follow Ember Swift
New concept album: The Dance of Light and Shade “…in the eternal dance of shade and light, live beyond me…”
“Please daddy, don’t go…” A desperate cry in the night. Jake strongly holds an old radio on his chest: it’s battered and it usually croaks incomprehensible crunches, but sometimes, that noise caresses Jake’s ears with his father voice, Mr. Doubt.
Crossed by shadows, man is an insensitive puppet. The Shade controls people’s mind in a worldwide reality show.
Mr. Doubt and Faith, his wife, dream about a new flow to escape from this dystopian existence, but their wishes wreck with their lives.
Now they live as Aeons, spirits that could guide our steps in the night, hearing our whispers, caressing our skin when we sleep, someone could call them angels.
The Doubt and the Faith, the Light and the Shade: two sides of the same whirling, crazy coin.
“…in the eternal dance of shade and light, don’t lose hope…” A few words from that old radio. Jake knows. He must fight rampant apathy. Humanity has forgotten humanity. The Shade is covering the Light. Jake’s messianic path leads to revelation, to the truth.
Switch off your phone and listen…
Marco Ciancaglini: lead vocals & choirs
Federico Benini: bass
Nicola Casamenti: lead guitars
Marco Calbi: guitars
Alessandro D’Altri: drums
Davide Lavia: keyboards
Follow Soul Doubt
This album was composed by Johnny Ray (except for remix), produced and mixed by David Alex at Foxbloom Recordings, mastered by Jeramie Kling. Guest Vocals by Cassandra Calo, Eliana Blanchard, Megan Yarbrough, Christian and Daniel Zambrotto. Saxophone by Eric Mullins, Christian Cruz for Guest Guitars and Kevin Adair for session guitars. in Edge of Time. Flute by Kyle Sareyani, album art by Severin Jowers.
Johnny would like to thank everyone who took part in this album, his wife and Kids for putting up with all the noise in the house, and most of all Jesus for the Inspiration and Faith!
The Mourning is:
Johnny Ray – Vocals/Keys
Spence Howard – Bass
Jason Berlin – Drums
John Richardson – Keys
Thomas Griggs – Guitars
Follow The Mourning
We are thrilled to add the following new releases to our playlist here at Melodic Revolution Radio
Church of the Cosmic Skull are not only one of the most exciting rock bands in the world today, but also an ever-growing spiritual organization, spreading the light of the Cosmic Rainbow across this planet and beyond.
The Church released their second studio album ‘Science Fiction’ in May 2018 on limited edition heavyweight vinyl, CD (Kozmik-Artifactz), and limited edition cassette (Septaphonic).
Described as ‘Occult Pop’ for fans of ELO, Deep Purple, Fleetwood Mac and Queen, the 9 track record from the Nottingham based ‘spiritual organisation’ sees an expansion on the prog/psych / retro stylings and hook-heavy songwriting of the critically acclaimed debut ‘Is Satan Real?’ (2016 Bilocation Records. “★★★★” – MOJO). Piano and vintage synths have been introduced alongside the Hammond organ, electric cello, and six-part vocal harmonies, resulting in a sound that truly ‘puts the ABBA in Sabbath’.
Bill Fisher – Guitar & Vocals
Michael Wetherburn – Hammond Organ & Vocals
Amy Nicholson – Electric Cello & Vocals
Loz Stone – Drums
Sam Lloyd – Bass & Vocals
Jo Joyce – Vocals
Caroline Cawley – Vocals
Follow Church of the Cosmic Skull
Heavy Moon’s proggiest and foggiest release to date. Thirteen trips through acid-fuzzed desert doom guitars, elfin flutes, acoustic daydreams, mellow mellotrons, cosmic synths and eastern visions.
Written, performed, recorded, mixed and mastered by Jakob Rehlinger at AUX13, New Toronto, February – June 2018
Follow Heavy Moon
NY Art Rockers Jack and the Jukebox are working on the follow up to The Mirage, All original music, Art Rock that people actually embrace enthusiastically, variously described as ‘Old Genesis, but with a punch” A mashup of Neoclassical with Cabaret, thundering drums, and a voice like Jeff Buckley… Utterly unique but cited by on fan as a reason to get off the couch…
Timothy B. Parker – Keyboard, Synthesizer, Congas
Jackalico – Bass Guitar, Vocals, Percussion
Aaron William – Drums/ Thunder
Follow Jack and the Jukebox
The Kentish Spires collectively bring a vast wealth of musical experience – weaving woodwind and reed instruments over a solid foundation of guitar, bass, and drums – with era-appropriate synths and powerful female
Recorded using techniques sympathetic to the 1970s Canterbury-style Progressive Rock sound.
The Kentish Spires collectively bring a vast wealth of musical experience – weaving woodwind and reed instruments over beautifully crafted songs with the stunning eccentric English vocals of Lucie V.
All songs composed by Chang/Hornsby/Loveridge/Robinson/Vowles/Warren
Follow The Kentish Spires
MYSTERY is a cutting-edge progressive rock band from Montreal Quebec. After 9 albums released, the Canadian group has become one of the most popular and respected Progressive Rock Band in the world
Michel St-Pere, Jean Pageau, Jean-Sebastien Goyette, Benoit Dupuis, Francois Fournier, Sylvain Moineau
We are thrilled to add the following new releases to our playlist here at Melodic Revolution Radio
A globe-trotting album of piano, world beat grooves, & Aaron’s earthy vocals. Written & recorded during his concert tours and charity projects on three different continents.
Aaron English – Songs from Somewhere Else
Produced by Don Gunn, Aaron English, Mark Fauver, Patrick Strole & Xiren
Recorded by Don Gunn, Aaron English, Mark Fauver, Miguel Mateus, Krushal Okong’o, Curtis Chandler, Xiren, Harmen Oudega, Ed Harrington, Todd Howard & Betsy Tinney
Mixed by Don Gunn
Mastered by Justin Perkins for Mystery Room Mastering
Album art: Shawn Michael McIntyre
Graphic Design: Xiren
Catering: Jules Klassen
All songs published by eronisongs (ASCAP) except Coming of Age in Hard Times published by Lagartija Music (BMI) & eronisongs (ASCAP), Kothbiro published by EMI Virgin Songs (BMI), & Praying for Time published by Warner Chappell Music (ASCAP)
The band’s fourth album, six years in the making.
Pinnacle – To Whoever You Are Now
Karl Eisenhart: Guitar, Lead and Backing Vocals
Bill Fox: Bass, Keyboards, Backing Vocals, Mandolin, Moog
Matt Francisco: Lead and Backing Vocals, Keyboards
Greg Jones: Drums
Ray Weston: Lead Vocals on “Words.”
Mastered by Brett Kull.
Cover art by Man in the Mountain.
Clearview is the seventh studio album by Finnish Cinematic Rock band Poets of the Fall
Marko Saaresto: Vocals
Olli Tukiainen: Guitar
Markus Captain Kaarlonen: Keyboards & Production
Jaska Mäkinen: Guitar
Jani Snellman: Bass
Jari Salminen: Drums
Arvé is the current project of talented musician Henny Arvé (Composer, Arranger, Producer, Brain).
He’s been making music since the early 70’s. After a time of experience with bands like AMBROSIA, MADISON DYKE, and ARAGON, he set foot on the fabled land of Prog in 1976. With his band RELAYER, on drums, Helmut Draht † , the first drummer from the band ELOY and Mr.Anthony, Norbert Requardt, guitarist from VOICE OF PAIN, the bassist Roger Girschman, he started his career with works like “Die Zeitmaschine” or “Berge des Wahnsinns” with the UTV-FILMPRODUCTION-Studio.
1977 Henny Arvé wrote the music to the movie, titled “Konflkt am Zaun”.
1978 this action movie get the SILVER AWARD in New York. After a successful time, also with the intended ELOY guitarist Hannes Arkona, the band split in 1979.
The 80’s were very experimental.
In the year 1995, he composed the great musical “AUTUMN WALTZ”. With the voice of Sunny Heights and Helmut Lilbob, he was a participator of the “MUSICAL OF THE YEAR 1996” in Danmark.
Since 1998 he’s been working together with the lead-vocalist and lyric poet Helmut Lilbob and furthered friends at the project “ARVE”. The first CD is from 2000, named “On The First Sight”. The new album added some other singers, as especially Stefan Ernst, the voice from the band “TRIBE 1”. 2008 he released Be On A Razor’s Edge; Henny Arve´ Keyboards, Grand Piano, Orchestration, Backing Vocals, Helmut Lilbob
Lead Vocals, Guitar, and Lyrics, Special Guests: Stefan Ernst – Vocals, Jessica G – Vocals, Toni Paul – Guitar, Olav Tilborg – Bass, Mr.J.Anthony – Drums
…. Van Der Graaf Generator, Yes, Patrick Moraz, Peter Gabriel, Greenslade, ELP, Gentle Giant, Genesis (the time with Peter Gabriel), Tomita, Le Orme, PFM, Spocks Beard, Rupert Hine, Mike Batt, Peter Hammill, Stomu Yamashta, Rick Wakeman, Klaatu, Rick Van Der Linden, Refugee, Jon Anderson, Steve Hackett .. Mussorgsky, Stravinsky, Debussy ,Gershwin
Photo by Gary Box
She began playing keyboards as a small child, her grandmother noticing she was playing “These Boots are Made for Walking'” the Nancy Sinatra hit, on her toy Magnus Chord Organ. Later sought out by shopping malls and department stores as a young girl, she started writing her own songs and designing her own ‘album covers.’ This led and inspired her for her future careers, which also include graphic design.
Not only a fan of progressive music such as Emerson, Lake & Palmer, Yes, Genesis, and others, the hometown boys Kansas played a big part in her influential years, as well.
Before setting out for her initial record contract, she collaborated with Gilli Smyth of “Gong” on a self-released ‘tape’ titled “Dreamscapes.” “Dreamscapes” was released by the U.S.- arm of Voiceprint, and soon after, she began label shopping for a longer-lasting deal.
A composer and keyboardist, LaRue became the first female artist signed to the Sound of America Records label (SOAR) Natural Visions sublabel. Her debut release was titled “Beloved Tribal Women,” produced by Will Alexander (keyboard tech to Geoff Downes, Herbie Hancock, and many other great keyboard players). The CD also received accolades for being a first in combining art with music. The CD booklet featured 14 paintings by the most awarded female Native American artist in the world, Joan Hill. The idea was, “A picture paints a thousand words,” so naturally, the music was instrumental, letting the art inspire the listener. Since, she has released “Children’s Songs in the Cherokee Language,” “That Ol’ Sofkee Spoon,” “Ama,” “Transformation 2012,” “World Class” released as Lisa LaRue Project 2K9, “Fast and Blue”, “Sussuration” with 2KX, “Beautiful Life” and “Sonic Landscapes” with Federico Fantacone.
“World Class” became known as one of the first projects recorded long distance via internet-transfer. The title was inspired by the fact that the participants in the project were located all around the world, including Belgium and the UK. The project, known as Lisa LaRue Project 2K9 became the basis for a permanent band, Lisa LaRue 2KX which included extensive work with co-producer, vocalist and guest bassist John Payne (Asia featuring John Payne, GPS, Dukes of the Orient), and guest appearances by Saga vocalist Michael Sadler.
Lisa has also appeared on recordings by others, including Oliver Wakeman Band guitarist, David Mark Pearce (“Strange Ang3ls” album), Head Transfer Process (Stargazer), Esquire with Nikki Squire (“Stay Low”), Don Schiff, Ryo Okumoto, Oliver Wakeman, Steve Gresswell, Quester and Beyond the Labyrinth.
LaRue was nominated for a Hollywood Music Award in 2008, and was also awarded the Oklahoma Music Awards “Native American Artist of the Year.” Her band 2KX was nominated as Instrumental Band of the Year in 2011 by the Los Angeles Music Awards.
She is married to singer/songwriter/producer and engineer John Baker, who is the lead vocalist and guitarist for Life After Mars, and lead vocalist for LA-based progressive rock band Forever Twelve, formerly with The Little Girls, Christian Love (The Beach Boys), Harvey Sid Fisher and Mars Hollow.
Origins – Lisa LaRue (TBA 2018)
Origins Digital Booklet and Liner Notes ( Download )
Sussuration – 2KX (2014)
Sonic Landscapes with Federico Fantacone (2014)
Beautiful Life Fingerwoven (2011)
Fast and Blue – Lisa LaRue 2KX (2011)
World Class – Lisa LaRue Project 2K9 (Fingerwoven and MALS, Ltd.) (2009)
Transformation 2012 )Fingerwoven) (2008)
Ama (Voices of the Shuka) (Fingerwoven) (2008)
That Ol’ Sofkee Spoon with John “Yafke” Timothy (Fingerwoven and Oyate Music) (2003)
Children’s Songs in the Cherokee Language (Cherokee Nation CRC) (2001)
Beloved Tribal Women (Sound of America / Natural Visions) (1994)
Dreamscapes (Voiceprint US)
No Spare Planet – Esquire (Nikki Squire) (2016)
Stargazer – Head Transfer Process (2012)
Strange Ang3ls – David Mark Pearce (2011)
| Official Website | Facebook | ReverbNation | YouTube |
Djam Karet was founded in 1984, and continue making new music even to this day, 33 years later! So far … they have released 18 full-length albums, including the newest release Sonic Celluloid (as well as an additional 24 minor releases and EPs and compilations, see the discography). The California-based instrumental group has often been called America’s greatest undiscovered band. Compared by the press with King Crimson, Pink Floyd, The Grateful Dead, Ozric Tentacles and Porcupine Tree, they are credited with breathing new life into progressive rock, leading the way to the genre’s future growth. Impressively, such high praise comes from widely divergent sources; Djam Karet has been written up in mainstream music publications such as BILLBOARD and ROLLING STONE, and in prestigious musician-oriented publications such as ELECTRONIC MUSICIAN, KEYBOARD, CD REVIEW, and GUITAR PLAYER, and also in numerous magazines, fanzines and webzines published for the indie/non-commercial rock communities. They have also scored numerous TV shows on ESPN, ABC-TV, and other networks, as well as many small film projects and commercials. RELIX Magazine recently noted that Djam Karet, “has always been the ultimate jam band…just a little ahead of its time.” EXPOSE’ asserted that Djam Karet was “…arguably the most important band of the last decade, and certainly the most unique” and placed the band “at the forefront of their instrumental genre”. Put simply by NEW AGE VOICE: “Djam Karet is no ordinary band. They gobble up myriad influences…including New Age, fusion, hard rock, electronic music, world, blues, even surf music…and metamorphose them into fascinating musical hybrids. They have never made the same album twice.” With the release of their newest release, Sonic Celluloid, Djam Karet makes their strongest statement yet and shows the world their uncompromising drive and vision.
Djam Karet was founded in 1984 by guitarists Gayle Ellett and Mike Henderson, bassist Henry J. Osborne, and drummer Chuck Oken, Jr. They chose as the band’s name an Indonesian word (pronounced ‘jam care-RAY) that translates loosely as “elastic time”. Early Djam Karet was a proto-“jam band” whose live, totally improvised performances on the southern California/LA area college circuit featured a free-form mixture of guitar-dominated instrumental rock and textural Eastern drone music, as on their 1985 release No Commercial Potential. Djam Karet’s mode of working and repertoire gradually expanded beyond improvisation to include compositional elements, field recordings, and studio work. In 1987 the band released The Ritual Continues, which was chosen “Number 2 Album Of The Year” by ELECTRONIC MUSICIAN magazine. Two years later, they released Reflections From The Firepool, which received ROLLING STONE’s accolade of ” Number 2 Independent Album Of The Year”.
In 1991, the band released two separate CDs at the same time: Burning The Hard City and Suspension & Displacement which “showcased the band’s two extreme split personalities…The former was a bone-crushing excursion into heavy power rock with anarchistic guitar solos, and the latter was a brilliant diary of dark, eerie ambient soundscapes.” (EXPOSE’). Three years later in 1994, Djam Karet released the CD Collaborator, with guests musicians: Jeff Greinke, Kit Watkins, Marc Anderson, Steve Roach, Carl Weingarten, and many others.
As the 20th Century drew to a close, Djam Karet signed with Cuneiform Records and entered a period of unprecedented creative productivity that only accelerated as the 21st century dawned. It began working on new releases for Cuneiform, initiated a program to repackage and reissue its back catalog on Cuneiform, and began playing live on the festival circuit. Live shows were performed at Day Zero for 1999’s ProgDay (San Francisco); at NEARfest 2001, progressive rock’s premier US showcase; ProgWest 2001 (Claremont) and at 2002’s ProgDay (North Carolina). Throughout the years they have also contributed music to 10 compilation releases, both here and in Europe. Many of those tunes are available nowhere else.
When Cuneiform released its first Djam Karet CD in 1997 titled The Devouring, INNERVIEWS noted that Djam Karet is “back with a vengeance, one hell of an album”. SPACE.com applauded their expanded sound featuring more keyboards: “As if the band’s earlier music hadn’t already scorched the ceilings of heaven, this new sonic incarnation burned like a stellar nova.” In 1998, Djam Karet performed on the West and East Coasts, recordings a live album for Cuneiform titled Live At Orion, released in 1999, that was applauded as “one of the best live recordings that I’ve heard” and was chosen as “Top 10 Album of 1999” by EXPOSE’ Magazine. The band began to do more work in the studio, resulting in the 2001 release of New Dark Age (Cuneiform) and also the Limited Edition CD release Ascension. Numerous critics called New Dark Age Djam Karet’s best to date. In the words of PROGRESSION: “This may be the best Djam Karet recording yet, which is a mouthful, considering that the band’s now-voluminous output is amply studded with gems. Their brilliant synthesis of abstract mind-trip and concrete butt-kick is at an all-time high here. Sonically, …it is simply masterful. This is one of the major releases of the year.”
Around the same time as New Dark Age’s release, and complementary to its work with Cuneiform, Djam Karet launched a series of self-released CD-Rs, reissues, and limited edition CDs for its fans. Within two years, the band had self-released numerous CD projects, including recordings made at New York City’s The Knitting Factory, an on-air performance recorded at KCRW-FM, and other archival performances. Out of this creative renaissance arose A Night For Baku. As a distillation of their musical visions across 20 years, A Night For Baku is indeed a diamond in Djam Karet’s oeuvre, a true Djam Karet “classic”, and featured the addition of new band member Aaron Kenyon on bass. The title derives from Japanese folklore: the Baku are mythical inhabitants of the dream world, valiant warriors who devour nightmares as the spoils of battle. The CD features Djam Karet using more keyboards and electronics and collaborating on one track with Electronic musician Steve Roach, who worked previously with the band on Collaborator.
It is this new line up as a quintet that created Recollection Harvest, one of their best and most melodic albums. Actually two albums on one CD, Recollection Harvest is divided into two chapters. The first-half is filled with their most melodic and jazzy music released so far, with a strong focus on composition and tight arrangements, Mellotrons, and soulful guitar melodies. The second-half, titled Indian Summer, features a collection of compositions colored with beautiful acoustic guitars and analog synths and showcases their more atmospheric side.
In 2009 the band was flown to the Bordeaux area of France to headline the annual Crescendo Festival. Held in a huge grassy field right on the beach, this three-day progressive rock concert took place with great weather and fantastic music by all involved. With free camping and a bohemian atmosphere, this was one of the group’s most enjoyable gigs. To achieve a fuller and more massive live sound, the group acquired new member Mike Murray on guitar, allowing Gayle Ellett to focus more exclusively on keyboards. When they returned to the States they decided to record The Heavy Soul Sessions in 2010, to better document their current live sound. In order to achieve a more lively and dynamic sound, all of the music was performed live-in-studio without any overdubs and no compressors or limiters were used during the recording process. This gives the CD a sound that is very dynamic, punchy and powerful, where the drums and bass are crystal clear and aggressive, and the guitars and keyboards are warm and inviting, and clearly demonstrates the broad and varied world that is Djam Karet.
In 2011, they formed a record label called Firepool Records s in order to showcase some of the side projects of the band members (Hillmen, Henderson/Oken) and to also bring a spotlight to other their USA all instrumental progressive bands (Herd of Instinct, Spoke Of Shadows). They have released 6 CDs to date!
In 2013, they released The Trip which was their first studio album of all-new music in eight years! It features one single 47-minute long track, a psychedelic journey through your mind’s eye, the soundtrack of a trip to places both familiar and otherworldly. This album was widely heralded and was chosen as “#6 Album Of The Year” by the listeners of Gagliarchives FM-Radio Show.
In 2014 the group began celebrating their 30th anniversary together!! To mark this epic moment in time, the group has released their 17th album, titled Regenerator 3017. Filled with all-new music, memorable melodies, wailing guitar solos, fusiony grooves, Minimoogs and mellotrons, and more, it showcases a band at their fiery best!
In 2017 they released their most melodic album, Sonic Celluloid. Relating to the idea of “sound as cinema”, this collection of 10 tracks demonstrates the group’s ability to create “mini-movies in your mind”. With more acoustic instruments, and more Minimoogs and mellotrons then on any previous album, Sonic Celluloid is their best produced and best sounding album to date.
Throughout the year 2017, we will see the band re-releasing re-mastered versions of older albums, as they begin work on yet another album! Stay tuned for updates.
For more info and the band’s label and online shop